Monday, March 26, 2018

 
OLD ROCK HOUSE ANNOUNCES 
NEW SHOWS
Foxing
with Eric Donte and LePonds
Saturday, June 23rd
Doors 7pm  Show 8pm
$15 Advance $17 Day of Show
All Ages

If you’ve ever looked at an old document and noticed brown spots on it, what you are seeing are signs of aging. It’s not exactly clear what specifically causes them, but one day, the page will completely brown over and be no more. This is called foxing. A group of St. Louis musicians took this idea and turned it into a band. “From the conception of the band, we realized: we’re not gonna be around forever,” says Foxing singer Conor Murphy. “There’s classic literature that over time grows really old. But hopefully, you can make something that meant something at some point and will mean something down the road, even if it is aged and dated. That’s always what keeps me going, the idea that we’re writing something now that we won’t be able to write in ten years.” At only 21, Murphy is wise beyond his years and Foxing’s debut album, The Albatross is indisputable proof of that. The Albatross has an epically beautiful, almost cinematic quality to it, a fact which the band members, some of whom were film students, are acutely aware of. Listening to their song “Rory” along with the music video they made for it is not only an emotionally jarring experiences but highlights the fact that Foxing have a bigger picture in mind than simply making music. It’s not just a sound, it’s a deeper, fuller concept fueled by a palpable sense of raw honesty and soulbearing. It’s not just a band, it’s the most vulnerable parts of their lives, reflected back at them.


Big Sam's Funky Nation
Friday, September 14th
Doors 7pm  Show 8pm
$15 Flat  All Ages

https://youtu.be/0K8ef6oWI_U

Noladelic PowerFunk. That’s the sound BIG SAM’S FUNKY NATION have been whipping up for more than a decade. It’s high-energy music that mixes funk, rock & roll, hip-hop, and jazz into the same pot, gluing everything together with the brassy influence — and heavy grooves — of New Orleans. From national performances at Bonnaroo and Austin City Limits, to hometown appearances at Voodoo Fest and Jazz Fest, Big Sam’s Funky Nation have built their reputation onstage. The band’s live performances are legendary, filled with blasts of brass, bursts of electric guitar, and the charisma of Big Sam, a frontman who sings, plays, dances, and involves the audience in everything he does. You don’t just watch a Funky Nation show. You become part of the show, singing along with Big Sam whenever he demands a call-and-response. “We don’t cater to one demographic,” says Big Sam, rattling off a list of jam band festivals, jazz shows, rock clubs, and funk gigs that his band has played since 2007. “We play music for everybody. It’s not just funk; that’s the foundation, but the music goes from funk to rock to wild jazz. It’s music about love and partying. Everyone can get down with that.”


www.instagram.com/oldrockhouse st
GEORGE STRAIT ACCEPTS TEXAN OF THE YEAR RECOGNITION AT TEXAS LEGISLATIVE CONFERENCE 
New Braunfels Dually Dubs King of Country Music "A Prince of the City of a Prince" 
ID L to R: Doug Miller, Former Texas State Representative and 52nd Annual Texas Legislative Conference Chair;  Texan of the Year George Strait;  Mary Jane Nalley, an owner of Gruene Hall; and Robin Jeffers, New Braunfels Chamber of Commerce Board Chair. | Rick Diamond for Getty Images
NEW BRAUNFELS, Texas – Iconic entertainer George Strait has been named “Texan of the Year” by the Texas Legislative Conference. At the 52nd annual statewide forum taking place at the Greater New Braunfels Chamber of Commerce on Friday, March 23, Strait joins an array of prominent honorees including former U.S. Presidents, Senators, Congressmen, Governors and innovators. 
Strait was recognized for his many contributions to the state of Texas throughout the years, particularly within the last year for his role leading recovery efforts following the devastation of Hurricane Harvey. The Category 4 hurricane ties Hurricane Katrina as the costliest storm to impact the U.S., inflicting damage of over $125 billion and displacing more than 30,000 residents. 
Strait immediately set out organizing relief efforts beginning with the “Hand in Hand” Texas benefit concert and telethon. Calling on friends Chris Stapleton, Miranda Lambert, Lyle Lovett and Robert Earl Keen, the concert, broadcast live from The Majestic Theater in San Antonio last fall, helped directly raise over $22 million towards hurricane recovery. 
“I’m so proud to have grown up in the great state of Texas and so proud to be here today to accept this unbelievable honor,” shared Strait who accepted the award in person. “Texas is a big place filled with amazingly talented, smart people. How’d I end up up here?” a humbled Strait asked the crowd. “Last year was a tough one for our great state. We’re still continuing to recover and with the help of the many loyal, kindhearted Texans, we will get these communities back on their feet again. It’s never surprising, but always amazing how in times of need, how generous the American people can be.” Strait continued, “I’ve had a great career and always been supported by the people here in Texas. This great honor is the tip top of my list.”
Robin Jeffers, New Braunfels Chamber of Commerce Board Chair then surprised Strait with a proclamation crowing the King of Country with a new title, "A Prince of the City of a Prince" for his dedication to the betterment of their community. 
Mary Jane Nalley, a longtime friend of Strait's and an owner of Gruene Hall noted, “George Strait’s elite work is still ongoing and he sets a fine example of what Texas and Texans are all about.”
In addition to spearheading the benefit concert relief efforts last September, Strait also joined Gov. Greg Abbott in Rockport-Fulton to bring attention to the ongoing recovery from Hurricane Harvey in the Coastal Bend Area.
This May, the reigning Texan of the Year is set to perform to over 50,000 fans at the New Orleans Superdome. 
For more information, visit GeorgeStrait.com.
 
Robin Jeffers, New Braunfels Chamber of Commerce Board Chair and Strait.  | Photo Credit: Rick Diamond for Getty Images

Don McLean's BOTANICAL GARDENS Out Now!   

Don McLean: Botanical Gardens
Singer and songwriter wraps a busy NYC press week with appearances on ABC News Radio, iHeart's 'Breakfast With The Beatles,' Fox News Radio, LifeMinute TV, WABC's Bernie & Sid Show, and more. McLean set to celebrate new release to a sold out performance at City Winery, NYC. 
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As its title suggests, the storms of 'American Pie' have given way to a more pastoral world, nourished by insights that usually come with time."
-- Bob Doerschuk, USA Today.


"..in 2018 he has written a beautiful album, Botanical Gardens. Not exactly a concept album, but an album with an overarching theme."
-- Aaron Badgley, Spill Magazine

"Botanical Gardens is indicative of where McLean’s songwriting genius lies – conjuring a strong sense of time and place that the listener can experience for themselves. You can almost smell the dampness and the moss."
-- Greg Jameson, Entertainment Focus

 
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New York, NY - Iconic American singer, songwriter and performer Don McLean releases his new album Botanical Gardens today through BMG. Click here to purchase, download or stream.

Ahead of his sold-out performance tonight at City Winery New York, McLean wraps up a busy press week in both London and NYC, with appearances on BBC Breakfast, ABC News Radio, Cheddar, Fox News Radio, WABC's Bernie & Sid, iHeart Media's Breakfast With The Beatles, LifeMinute TV, Reuters, United Stations Radio Networks, and more.

McLean is profiled in a new episode of Heartland TV's More Than The Music which originally aired on Tuesday, March 20 and on Heartland's Roku channel, and online at watchheartlandtv.com. An encore viewing is set for Sunday, March 25 at 8:00pm ET/PT.

He also recorded a short EPK with commentary on the inspiration behind Botanical Gardens. You can watch highlights from the interview by clicking here, or watch the full interview, by clicking here.

Botanical Gardens is McLean's 19th studio album, and first in 8 years, is arguably one of Don’s most reflective to date. As he characterizes it, “The inspiration for the project started years ago when I would walk in the beautiful gardens in Sydney, Australia near the Opera House. I would dream young dreams and it was a comfort and an inspiration. I was always young inside, like we all are, and I felt it again there.” Further reflecting on the record, Don says, “the whole album really revolves around the title song. Later on I realized that the gardens are really a metaphorical heaven, and there’s a kind of death and rebirth.”
Intimacy can be found at the heart of this record, with Don penning personal numbers looking back on a life well-lived, as well as his observations on youth and love. Recording at Watershed Studios in Nashville also allowed a different kind of intimacy for Don and his band, as they were made to “play close and feel the music”, resulting in a raw, yet tight sound throughout. In nearly 50 years, Don’s songs have become an iconic staple of American music. His music has been performed by artists as diverse as Elvis Presley, Madonna, Fred Astaire, Drake, James Blake, Chet Atkins, Garth Brooks, Weird Al Yankovic, George Michael, Josh Groban, Ellie Goulding, Coolio and Ed Sheeran.
His biggest hit, “American Pie,” was recently recognized with high honors by BMI for achieving five (5) Million-Air certified airplay awards, along with “Vincent (Starry, Starry Night)” achieving three (3) Million-Air certified airplay awards. “American Pie” also has been inducted into the Grammy Hall of Fame, and is also included in the archive at the Library of Congress. Don McLean was inducted in the Songwriters Hall of Fame in 2004.
Official Botanical Gardens track listing:
1. Botanical Gardens
2. The Lucky Guy
3. A Total Eclipse Of The Sun
4. The Waving Man
5. When July Comes
6. You’re All I Ever Had
7. Rock and Roll Your Baby
8. I’ve Cried All The Tears That I Have
9. Ain’t She A Honey
10. The King of Fools
11. Grief And Hope
12. You’ve Got Such Beautiful Eyes
13. Last Night When We Were Young

Don McLean U.S. & European Tour Dates:
Mar 23 City Winery - New York, N.Y.
Apr 13 Greenwich Odeum - East Greenwich, R.I.
Apr 14 The Birchmere - Alexandria, Va.
Apr 29 Southend Cliffs Pavilion - Westcliff-On-Sea, UK
Apr 30 York Barbican Centre - York, UK
May 01 Victoria Theatre - Halifax, UK
May 02 Sage Gateshead - Gateshead, UK
May 04 De La Warr Pavilion - Brexhill-On-Sea, UK
May 06 Wales Millennium Center - Cardiff, UK
May 07 The Bridgewater Hall - Manchester, UK
May 09 London Palladium - London, UK
May 10 Symphony Hall - Birmingham, UK
May 11 Colston Hall - Bristol, UK
May 13 Philharmonic Hall - Liverpool, UK
May 15 Glasgow Royal Concert Hall - Glasgow, UK
May 16 Usher Hall - Edinburgh, UK
Click here for Don’s entire tour calendar

“Indisputably one of THE tours of the year.” -- HotPress.com

For more information on Don McLean visit his website, Facebook, Twitter or Instagram.

About Don McLean:
A New York native, Don McLean is one of the most revered and respected songwriters in American history. After paying his dues in the New York club scene in the late ‘60s, he went on to score mega-hits like “American Pie,” “Vincent (Starry, Starry Night),” “Castles in the Air” and many more. In 2004, McLean was inducted into the Songwriters Hall of Fame by country superstar Garth Brooks. “American Pie” has brought great happiness and hope to millions of people through the years and continues to be honored for its success. In 2000, the song was named one of the Top 5 Songs of the 20th Century by the RIAA and in 2002 was inducted into the Grammy Hall of Fame. 2017 brought a huge honor when the iconic song was inducted into the Library of Congress’ National Recording Registry, joining less than 500 works including “Somewhere Over the Rainbow,” classical music compositions, infamous live broadcasts and similar recordings. McLean continues to tour both North America and abroad bringing a mix of his classic hits with an array of new works.

 
# # #
Dierks Bentley
Mountain High Tour

with special guests Brothers Osborne and LANCO
 
Saturday, June 2 at Hollywood Casino Amphitheatre

Tickets go on sale Friday, March 30 at 10am
www.LiveNation.com Club Fitness Box Office at Hollywood Casino Amphitheatre 800-745-3000
KSHE 95, 105.7 The Point, and 106.5 The Arch present
3 Doors Down and Collective Soul
Rock & Roll Express Tour
with special guest Soul Asylum
 
Saturday, July 21 at Hollywood Casino Amphitheatre

Tickets go on sale Friday, March 30 at 11am
Lawn and Select Reserved Tickets just $10 First Week Of Sales!
ALL ABOARD THE ROCK & ROLL EXPRESS! 3 DOORS DOWN AND COLLECTIVE SOUL TO CO-HEADLINE TOUR  WITH SPECIAL GUEST SOUL ASYLUM
 
– Tickets On Sale to the General Public Starting March 30 at LiveNation.com
LOS ANGELES, CA (March 26, 2018) – With more than 30 million albums sold, 18 million digital single sales, billions of streams and 12 iconic hits combined, 3 Doors Down and Collective Soul are inviting fans aboard The Rock & Roll Express Tour this summer with special guest Soul Asylum on select dates. Produced by Live Nation, the amphitheater outing will kick off July 6 in Atlanta, GA and travel to 36 cities across North America before wrapping September 16 in Phoenix, AZ. 
 
Citi® is the official pre-sale credit card of The Rock & Roll Express Tour. As such, Citi® cardmembers will have access to purchase pre-sale tickets beginning Tuesday, March 27th at 10am local time until Thursday, March 29th at 10pm local time through Citi’s Private Pass® program. For complete pre-sale details, visit www.citiprivatepass.com. Tickets go on sale to the general public starting Friday, March 30 at 10am local time.
 
3 Doors Down and Collective Soul will be offering their own VIP packages, which include band meet and greets, exclusive merch, and much more. All VIP packages will be available starting Tuesday, March 27th at 10am local time. More information can be found at www.3doorsdown.com and www.collectivesoul.com. 
 
“Soul Asylum, Collective Soul and 3 Doors Down, that’s a big night of hits!! I’m looking forward to hopping on the Rock & Roll Express this summer, gonna be fun!” said Brad Arnold of 3 Doors Down. 
 
"It's going to be an exciting summer! Not only are we going to be out with a great band, but also some great friends. I look forward to seeing everyone come out and rock with us, 3 Doors Down, and Soul Asylum,” said Ed Roland of Collective Soul.
 
Grammy Award®-nominated multi-Platinum Mississippi rock band 3 Doors Down has been captivating audiences around the world for nearly two decades. With 20 million albums sold globally, their success has been fueled by hits including “Kryptonite,” “When I’m Gone,” “Here Without You,” and “It’s Not My Time.”  
 
Collective Soul rose to international fame in 1993 with the rock anthem “Shine.” The multi-Platinum quintet has a catalog of #1 hits under their belts that has helped shape and define alternative rock. They’ve sold over 20 million records worldwide and continue to average over one million Spotify streams per month. They were inducted into the Georgia Music Hall of Fame in 2009. The band’s latest live album, LIVE, was released December 8, 2017 on Suretone Records.
 
Collective Soul will also perform at 3 Doors Down’s 15th Annual “The Better Life Foundation Concert” this fall. The event will take place at Harrah’s Cherokee Casino Resort in Cherokee, NC for the third year in a row on October 27th. To date, The Better Life Foundation has donated over $3 Million dollars to veterans, children, women’s and humanitarian relief efforts domestically and around the globe.
Grammy Award®-winning rock band Soul Asylum garnered multi-platinum success with their commercial breakthrough albums 1992’s 'Grave Dancers Union' (3x  platinum) and 1995's 'Let Your Dim Light Shine' (1x platinum).  ‘Grave Dancers Union’ featured the international hit "Runaway Train," which won a 1994 Grammy as Best Rock Song while 'Let Your Dim Light Shine' spawned the hit "Misery.”  Dave Pirner of Soul Asylum adds “Looking forward to hitting the road with 3 Doors Down and Collective Soul and seeing everyone! We’re going to have a good time - can’t wait!” 
 

The Legends of Country
w/The Oak Ridge Boys, Tanya Tucker,
Larry Gatlin & The Gatlin Bothers!

 
WHAT:         It’s a night of classics as The Family Arena presents The Legends of Country. Don’t miss an unforgettable experience as The Oak Ridge Boys, Tanya Tucker, and Larry Gatlin & The Gatlin Brothers take the stage to perform their iconic hits.
 
Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. The group has scored 12 gold, three platinum, and one double platinum album—plus one double platinum single—and had more than a dozen national Number One singles and over 30 Top Ten hits.
 
In 1974, Rolling Stone ran a cover story on Tanya Tucker with the headline that said “You’re Gonna Hear From Me.” Truer words have never been spoken. For four decades, her sultry voice and vivacious stage presence has helped to make her one of the most admired and respected female vocalists in the Country Music genre. Tanya’s reign includes 23 Top 40 albums and a string of 56 Top 40 singles, 10 of which reached the No. 1 spot on the Billboard charts. Along the way, she has provided some of the biggest country music hits of each decade, including, Delta Dawn, Blood Red and Goin’ Down, Would you Lay with Me (In a Field of Stone), and Texas (When I Die” just to name a few. Tucker is also the recipient of numerous awards, including two CMAs, two ACMs, and three CMT awards.
 
Larry Gatlin & the Gatlin Brothers have been dazzling audiences for more than 60 years. By 1976, the Gatlin Brothers were in the fast lane, thanks to the chart-topping success of the Grammy Award-winning “Broken Lady.”  The hits continued throughout the rest of the decade, including their signature song, All the Gold in California, soon to be followed by Houston (Means I’m One Day Closer to You).   The number one hits continued throughout the next decade with I Don’t Wanna CryI Just Wish You Were Someone I Love, Statues Without Hearts, Love is Just a Game, and Night Time Magic.  In addition to being inducted into the Grand Ole Opry in 1976, the trio was nominated for awards by the Country Music Association, the Academy of Country Music and the Music City News Awards, among others.  “We won some of ‘em too,” says Larry.
 
.WHEN:         Saturday, October 20, 2018 @ 7:00pm
 
WHERE:       The Family Arena - 2002 Arena Parkway * St. Charles, MO 63303
 
TICKETS:     On Sale Friday, March 30 @ 10am
Tickets can be purchased at the Family Arena Ticket Office or online at www.metrotix.com.
 
Prices: $80 (Gold Circle), $70 (Floor), $60 (100 Level), $50 (200 Level)
                                                           
To charge by phone call MetroTix at 314-534-1111.  For help purchasing accessible seating, please call The Family Arena ADA Hotline at 636-896-4234.

TICKET LINK:        http://www.metrotix.com/events/
 

Saturday, March 24, 2018

WEEKEND PICK....
BRENT COBB
Off Broadway Nightclub
St Louis
Sunday, March 25
www.offbroadwaystl.com
BRENT COBB’S NEW ALBUM PROVIDENCE CANYON OUT MAY 11
KING OF ALABAMA” PREMIERES
EXTENSIVE SPRING HEADLINE TOUR CONFIRMED,
WILL JOIN “CHRIS STAPLETON’S ALL-AMERICAN ROAD SHOW” THIS SUMMER/FALL
Grammy nominated singer, songwriter and performer Brent Cobb will release his highly anticipated new album, Providence Canyon, May 11 on Low Country Sound/Elektra Records (pre-order).
Recorded at Nashville’s RCA Studio A with Grammy Award-winning producer Dave Cobb, the album features eleven songs including “King of Alabama,” which is premiering today (watch/share the official music video HERE). Already receiving acclaim, NPR Music’s Ann Powers praises, “Cobb, a troubadour whose classic country-rock songs are enhanced by his warm heart and keen eye, tells Mills’ story with grace and discretion, as does the charming animated video…Cobb kicks out a Keith Richards-in-Muscle Shoals riff on his acoustic guitar and it melds perfectly with the organ to form a foundation that’s pure, easy locomotion. Each verse follows another like the stretch of blacktop between exits, resolving in a chorus that’s breezy and uplifting without unsettling the song’s groove. Far from maudlin, Cobb’s tribute does exactly what Mills did: it keeps on rocking, headlights on, until the last note.” Each digital pre-order comes with an immediate download of “King of Alabama” as well as “Ain’t A Road Too Long,” which debuted last year.
In celebration of the album, Cobb’s “Ain’t A Road Too Long” tour is currently underway. Featuring special guest Savannah Conley, the extensive tour includes upcoming stops at DC’s DC9, Philadelphia’s Boot & Saddle, New York’s Mercury Lounge and L.A.’s The Troubadour. Following these headline dates, Cobb will once again join Chris Stapleton on his “All-American Road Show” this summer and fall including dates at L.A.’s The Forum, Chicago’s Hollywood Casino Amphitheatre and New York’s Madison Square Garden. See below for full details.
Photo credit: Don Van Cleave
The new album and tour follow a breakthrough few years for Cobb, who was nominated for Best Americana Album at the 60th GRAMMY Awards for his major label debut, Shine On Rainy Day. Released in 2016 to overwhelming acclaim, The Tennessean calls the album, “…an outstanding piece of work and a collection of true, country songs,” while WXPN World Café asserts, “…a gorgeous solo album that promises to place him in the top echelon of this century’s young troubadours…” Since the album’s release, Cobb was also nominated for Emerging Artist of the Year at the 2017 Americana Honors & Awards and made his television debut on CONAN.
Cobb was born in Americus, Georgia, about an hour east of Columbus, in the rural south-central part of the state. In addition to his work as an artist, Cobb is widely respected as a songwriter garnering cuts by Lee Ann Womack, Luke Bryan, The Oak Ridge Boys, Little Big Town, Miranda Lambert and more.
BRENT COBB CONFIRMED TOUR DATES
March 20—Toronto, Ontario—Horseshoe Tavern*
March 21—Detroit, MI—The Shelter*  
March 22—Evanston, IL—SPACE*
March 23—St. Paul, MN—Turf Club*
March 24—Kansas City, MO—Knucklehead’s*  
March 25—St. Louis, MO—Off Broadway*
March 27—Indianapolis, IN—Hi-Fi*
March 28—Louisville, KY—Zanzabar*
March 29—Asheville, NC—Grey Eagle Tavern*
March 30—Raleigh, NC—The Pour House Music Hall*
March 31—Washington, D.C—DC9*
April 3—Philadelphia, PA—Boot & Saddle*
April 4—New York, NY—Mercury Lounge*
April 6—South Burlington, VT—Higher Ground*  
April 7—Allston, MA—Great Scott*
April 8—Uncasville, CT—Wolf Den at Mohegan Sun Resort*
April 10—Columbus, OH—The Basement*
April 11—Pittsburgh, PA—Club Café*
April 12—Charlottesville, VA—The Southern*
April 13—Charlotte, NC—Neighborhood Theatre*
April 14—Savannah, GA—Savannah Music Festival
May 1—Oxford, MS—Proud Larry’s*
May 2—New Orleans, LA—Gasa Gasa*
May 3—Houston, TX—The Heights Theater*
May 4—Austin, TX—Stubb’s Jr.*
May 5—Dallas, TX—The Kessler Theater*
May 8—Phoenix, AZ—Valley Bar*
May 9—San Diego, CA—Casbah*
May 11—West Hollywood, CA—Troubadour*
May 12—San Francisco, CA—The Chapel*
May 16—Portland, OR—Doug Fir Lounge*
May 18—Seattle, WA—Tractor Tavern*
May 19—Vancouver, Canada—The Biltmore Cabaret*
May 22—Boise, ID—Neurolux*
May 23—Salt Lake City, UT—The State Room*
May 24—Fort Collins, CO—The Armory*
May 25—Denver, CO—Globe Hall*
May 26—Omaha, NE—Slowdown*
June 16—Brandon, MS—Brandon Amphitheater‡ (SOLD OUT)
June 22—Rogers, AR—Walmart Amp‡ (SOLD OUT)
June 28—Darien Center, NY—Darien Lake Amphitheater‡
June 29—Philadelphia, PA—BB&T Pavilion‡
June 30—Mansfield, MA—Xfinity Center‡
July 13—St. Louis, MO—Hollywood Casino Amphitheatre‡
July 13—Louisville, KY—Forecastle Fest
July 15—Birmingham, AL—Sloss Fest
July 19Spokane, WA—Spokane Arena‡
July 20—Portland, OR—Sunlight Supply Amphitheater‡ (SOLD OUT)
July 21—Seattle, WA—White River Amphitheatre‡
July 26—South Lake Tahoe, NV—Harveys Lake Tahoe Outdoor Arena‡
July 27—Sacramento, CA—Toyota Amphitheatre‡
July 28—Mountain View, CA—Shoreline Amphitheatre‡
August 2—Billings, MT—Rimrock Auto Arena‡ (SOLD OUT)
August 3—Missoula, MT—Adams Center‡
August 4—Boise, ID—Ford Idaho Center Arena‡
August 9—Albuquerque, NM—Isleta Amphitheater‡
August 10—Denver, CO—Pepsi Center‡ (SOLD OUT)
August 11—Salt Lake City, UT—USANA Amphitheatre‡
August 16—San Diego, CA—Mattress Firm Amphitheatre‡
August 17—Anaheim, CA—Honda Center‡
August 18—Los Angeles, CA—The Forum‡
August 23—Saratoga Springs, NY—Saratoga Performing Arts Center‡
August 24—Gilford, NH—Bank of New Hampshire Pavilion‡ (SOLD OUT)
August 25— Gilford, NH—Bank of New Hampshire Pavilion‡
October 4—Cincinnati, OH—Riverbend Music Center‡
October 5—Indianapolis, IN—Ruoff Home Mortgage Music Center‡
October 6—Chicago, IL—Hollywood Casino Amphitheatre‡
October 11—Charlotte, NC—PNC Music Pavilion‡ (SOLD OUT)
October 12—Raleigh, NC—Coastal Credit Union Music Park at Walnut Creek‡ (SOLD OUT)
October 13—Bristow, VA—Jiffy Lube Live‡
October 19—Alpharetta, GA—Verizon Amphitheatre‡ (SOLD OUT)
October 20—Atlanta, GA—Lakewood Amphitheater‡ (SOLD OUT)
October 25—Columbia, SC—Colonial Life Arena‡
October 26—Knoxville, TN—Thompson Boling Arena‡ (SOLD OUT)
October 27—Lexington, KY—Rupp Arena‡ (SOLD OUT)
November 2—New York, NY—Madison Square Garden‡
November 3—Charlottesville, VA—John Paul Jones Arena‡
November 4—Baltimore, MD—Royal Farms Arena‡ 
*as part of Cobb’s “Ain’t A Road Too Long” tour with special guest Savannah Conley
‡as part of “Chris Stapleton’s All-American Road Show”

Tuesday, March 20, 2018

G-EAZY
LIL UZI VERT

The Endless Summer Tour

Ty Dolla $ign & YBN Nahmir
with special guests P-LO and Murda Beatz

August 12 at Hollywood Casino Amphitheatre
 
 
Tickets go on sale Saturday, March 23 at 10am
Get 4 Lawn Tickets For $90 While Supplies Last!


Monday, March 19, 2018

Note This... Pick of the Week....
 
JORDAN DAVIS
 
Thursday, March 22
The Ready Room, St. Louis
 
https://www.thereadyroom.com
Jordan Davis is a Shreveport-born, Nashville-weathered creative soul with his feet firmly planted in two different eras. The imagery in his songs relies on the same specificity behind such classic, lyrically- driven songwriters as John Prine, Jim Croce and Bob McDill. But the tech-tinged production and silvery phrasing in those same songs embodies the genre-defying musicality of such current acts as Eric Church, Sam Hunt and Lady Antebellum.
Kris Kristofferson would likely brand Jordan a walking contradiction – repurposing a phrase he once applied to Johnny Cash – and Davis would heartily agree.
“The thing that is weird to me is the pure songwriting fan that I am compared to what I love production-wise,” Davis notes. “I love these huge, big sounds – big drums, loud guitars – but my favorite show to go to is John Prine or Jason Isbell, you know just standing up there with a guitar. They’re seriously opposite ends of the spectrum, but I think that marrying the two, there’s a cool way to do it.”
Working steadily on his debut album for Universal Music Group Nashville, Davis is welding those two ideals nicely. The jangly, skittering “Singles You Up,” the picturesque come-on “So Do I” and the propulsive “Take It From Me” each mix those elements in varying degrees, some leaning heavier on the production, others focused more on the lyrics, but all of them held together by Davis’ unique, laidback phrasing. His easy-going nature and focused interpretation of the world around him is easy to identify in those songs, the same way that Jim Croce’s personality came through in some of the music that influenced him.
“Those songs take on so much more life if you find out how introverted he was,” says Davis. “He really just wrote songs because they let him say what he wanted to say. You hear a song like ‘I’ll Have To Say I Love You In A Song’ – that probably was him not knowing how to say it, but he knew he wouldn’t screw it up if he sang it. Those songs are awesome.”
Davis’ appreciation for competing musical ideas harkens back to his upbringing in Shreveport. The Louisiana city is overshadowed nationally by New Orleans, whose jazz and funk culture are the stuff of legend. Just a couple hundred miles to the east of Shreveport is Mississippi, the hotbed of gut-bucket blues, while just over the border to Shreveport’s west is East Texas and its deep association with hard country and honky-tonk.
Writing and playing music was a passion that was passed down in the Davis household. His uncle, Stan Paul Davis, wrote two Top 5 titles for Tracy Lawrence in the 1990s – “Today’s Lonely Fool” and “Better Man, Better Off” – and his dad often wrote songs as a hobby between taking Jordan and his brother, Jacob, to Shreveport Captains minor league baseball games.
“Music was around so much, it was just part of our everyday life,” Jordan says.
In fact, because music was always around, Davis hadn’t really thought about it as a career
possibility. He majored in resource conservation at LSU in Baton Rouge and thought he would pursue a job that would protect the world’s physical attributes.
“Conserving the beauty of what makes the country so awesome is important,” he says. “It’s easy to think that it’s gonna be here forever, when really we need to take care of it. Louisiana’s losing land as it is – you know, the state’s disappearing year by year – so it’s definitely a passion of mine.”
But so was music. After his graduation from LSU, Jordan got an entry-level environmental job, but he spent plenty of time dreaming of Nashville, where his older brother had already moved to become a songwriter. Jordan periodically sent unfinished songs to his brother, and when Jacob played one for a music executive, he urged Jordan to come to Music City.
It was not an easy process for Jordan. He struggled to find people to write with and instead, he tended bar regularly at Ellendale’s – a Southern restaurant in Nashville’s Donelson neighborhood. He continued to hone his songwriting craft on his own; the songs were unusual, mixing his long-running affinity for classic singer/songwriters and modern country radio. Davis heard repeatedly that he was the only person who could perform them and make them work.
His decision eventually paid off and after receiving a publishing deal in June 2015, UMG Nashville announced on Leap Day 2016 that the company had signed him to a recording contract. Paul DiGiovanni – a Boys Like Girls guitarist who’s worked with Blake Shelton, Hunter Hayes and Dan + Shay – quickly became one of Davis’ regular co-writers and his producer. “Paul would build a demo and have it done in a day, and you couldn’t listen to it enough,” Davis says.
DiGiovanni helped capture the anthemic quality in “Take It From Me” and the party attitude in “Singles You Up,” but also built an appropriately slinky frame for Davis’ conversational “So Do I.” Their working relationship is an ideal pairing, as Davis adjusts to his new creative world. As solid a place as music has held in his life, it’s been only a couple years since he started thinking of himself as an artist as well as a songwriter.
“Still to this day, I could tell you who wrote the song before I could tell you who cut it,” he says.
Being an artist means rethinking his creative soul just a bit. It’s one thing to write a story song to play in a coffee shop, but it’s another to generate the kind of big-sounding piece that resonates with an arena full of people. Davis is up for the challenge.
“Marrying the two is tough because I’ve never until recently had to think about writing a song and how it’s gonna go over live,” he says. “That’s a completely new thing that’s come into my writing.”
But he’s seen plenty of signs that he’s making the transition. Few were as obvious as when he played an afternoon set at the start of a New Year’s Eve bash in Jacksonville, Florida. Four guys traipsed across the lawn with beers in hand during the show, and as he sang, Davis watched them stop and huddle, then wander up to the front of the stage, where they remained fully engaged for the rest of the set. Clearly, he had won them over.
“They could have easily kept going,” he says. “That was a brand new song, it was the first time we had ever played it live, and it caught ‘em and brought ‘em back. That’s the kind of connection I try to make.”
With a creative foot in two places, Davis is well positioned to make a long-term connection. His songs are so musically engaging that they easily attract attention. But they’re also deep enough to hold a listener through repeated exposure. Some of that is accomplished through the sense of physical place woven into his stories. From the street performers and moss hanging from the trees establishing the humid heartbreak of “Leaving New Orleans,” to the painted white lines and late night security cop transporting the listener to a concrete ballroom in “Slow Dance In A Parking Lot.” Jordan Davis has a unique ability to create a sense of place in his songs with his knack for relentless hooks and subtly smart lyrics
By melding classic lyric-writing with modern musical texture, Davis is similarly staking out his own spot on the creative map. The cool melodies and understated delivery bring you in. The soul in his characters keep you in place. In Jordan Davis’ place.