Showing posts with label Blueberry Hill. Show all posts
Showing posts with label Blueberry Hill. Show all posts

Monday, September 9, 2019

RUSTON KELLY’S DIRT EMO
VOL. 1 OUT OCTOBER 
11  
NEW PROJECT FEATURES EIGHT COVERS INCLUDING DASHBOARD CONFESSIONAL’S “SCREAMING INFIDELITIES” (FEAT. CHRIS CARRABBA) PREMIERING TODAY
FALL HEADLINE TOUR CONFIRMED
Acclaimed singer, songwriter and musician Ruston Kelly will release his new project, Dirt Emo Vol. 1October 11 via Rounder Records (pre-order here). The 8-track release consists of Kelly’s favorite emo songs including a rendition of Dashboard Confessional’s “Screaming Infidelities,” featuring the band’s lead singer Chris Carrabba, which is premiering today. Listen/share HERE.  
Of the project, Kelly shares, “I don’t play country, this stuff is dirt emo. It’s like crying in a barn or angsting in your room with a banjo.”
In addition to “Screaming Infidelities,” the project also includes Kelly’s previously released versions of The Carter Family’s “Weeping Willow” and Taylor Swift’s “All Too Well.” Originally released as an Amazon Original, Kelly’s “All Too Well” received widespread critical praise as well as attention from Swift herself. Of the song, Billboard declares, “Kelly puts his own haunting spin on the track with yearning vocals, delicate percussion and soaring instrumentation,” while UPROXX praises, “…his rendition is a beautiful tribute to the raw emotionality of the original. He makes the song his own with atmospheric instrumentals, replacing Swift’s driving percussion with drums that sound more soft and searching.”
In celebration of the release, Kelly will continue his extensive “Brightly Burst” headline tour this fall including stops at Atlanta’s Terminal West, Austin’s Scoot Inn, Los Angeles’ Troubadour (two nights), Seattle’s Tractor Tavern, New York’s Bowery Ballroom, Boston’s Brighton Music Hall and Washington D.C.’s U Street Music Hall among several others. See below for complete details.
The release of Dirt Emo Vol.1 adds to a landmark year for Kelly, whose full-length debut album, Dying Star, was released last fall on Rounder Records (purchase/stream here). Co-produced by Kelly and Jarrad K, Dying Star landed on several “Best of 2018” lists including Rolling StonePasteUPROXXAmerican Songwriter and NPR Music, who praises, “Kelly digs down deep on Dying Star to fearlessly put forth a set of songs steeped in emotional twists, turns and complications…This here is powerful stuff.” Additionally, album track “Mockingbird” is nominated for Song of the Year at the 2019 Americana Music Association Honors & Awards. 
Photo credit: Alexa King
DIRT EMO VOL. 1 TRACK LIST
1. “Screaming Infidelities” feat. Chris Carrabba (originally by Dashboard Confessional)
2. “Teenage Dirtbag” [Live] (originally by Wheatus)
3. “At Your Funeral” (originally by Saves The Day)
4. “Dammit” (originally by Blink 182)
5. “All Too Well” (originally by Taylor Swift)
6. “Teenage Dirtbag” [Acoustic] (originally by Wheatus)
7. “Weeping Willow” (originally by The Carter Family)
8. “Helena” (originally by My Chemical Romance)
RUSTON KELLY CONFIRMED TOUR DATES
September 13—Nashville, TN—AmericanaFest @ Union Station Hotel
September 18—Chattanooga, TN—Songbirds South Stage*
September 19—Knoxville, TN—Bijou Theatre*
September 20—Atlanta, GA—Terminal West*
September 20-22—Bristol, TN—Bristol Rhythm & Roots Reunion
September 26—Dallas, TX—Granada Theater*
September 27—Houston, TX—White Oak Music Hall*
September 28—Austin, TX—Scoot Inn*
October 1—Los Angeles, CA—Troubadour* (SOLD OUT)
October 2—Los Angeles, CA—Troubadour*
October 3—San Francisco, CA—The Independent*
October 4—Portland, OR—Wonder Ballroom*
October 5—Seattle, WA—Tractor Tavern*
October 7—Salt Lake City, UT—The State Room*
October 8—Denver, CO—The Bluebird Theater*
October 10—Des Moines, IA—Wooly’s*
October 11—Minneapolis, MN—Fine Line*
October 12—Madison, WI—High Noon Saloon*
October 16—St. Louis, MO—Blueberry Hill*
October 18—Louisville, KY—Mercury Ballroom*
October 19—Columbus, OH—A&R Music Bar*
October 20—Detroit, MI—The Shelter*
October 22—Toronto, ON—Horseshoe Tavern
October 24—New York, NY—Bowery Ballroom*
October 25—Boston, MA—Brighton Music Hall*
October 26—Washington, DC—U Street Music Hall*
October 27—Philadelphia, PA—World CafĂ© Live*
October 30—Richmond, VA—Richmond Music Hall*
October 31—Cleveland, OH—House of Blues Cleveland*
November 1—Chicago, IL—Thalia Hall*
November 11-15—Punta Cana, Dominican Republic—John Prine’s “All The Best Fest”
*with Donovan Woods
†The Drew Thomson Foundation

WEDNESDAY OCTOBER 16
www.blueberryhill.com

Wednesday, August 14, 2019

The Commonheart Releases Firey Title Track From New Album 'Pressure,' Out 8/16 on Jullian Records

FALL TOUR BRINGS GROUP TO BLUEBERRY HILL


Today, eight-piece Pittsburgh soul outfit The Commonheart reveal their latest single “Pressure” with an accompanying video, directed by Bradley Atom. Watch here: https://youtu.be/PkDi-UY4S8g
The bluesy ballad title track, replete with pleading emotive vocals, drips yearning and melancholy redemption. Speaking with Relix about the track, frontman Clinton Clegg says, “Stability can feel a million miles away, but the people around us are what drives this pursuit. Relationships form and some fold, but those experiences teach us important lessons about people and the world around us. Trust and perseverance are the fuel for this trip; how we use the pressure will determine the road we follow.”
The song follows the band’s recent single “Do Right,” which American Songwriter said “radiates true soul” and “reverberates through your core.” 
Produced by Jeremy and Christopher McDonald (Fleet Foxes, Feist), “Pressure” and “Do Right” are the first taste from the band’s upcoming studio album, ‘Pressure’ out August 16th on Jullian Records. This fall, the band will embark on their own headlining tour with stops in NYC, Chicago, performances at Americana fest and more.

THE COMMONHEART 2019 TOUR
July 20 - Chattanooga, TN @ Riverfront Nights
July 30 - Brooklyn, NY @ Brooklyn Bowl
Aug 7 - Avon, CO @ Beaver Creek Resort
Aug 9 - Denver, CO @ Cervantes Other Side
Aug 10 - Boulder, CO @ Boulder Theater *
Aug 17 - Pittsburgh, PA @ Club Cafe SOLD OUT
Sept 1 - Westport, CT - The Levitt Pavilion for the Performing Arts and Westport Library - Blues Views and BBQ
Sept 10 - Athens, GA @ Georgia Theatre ^
Sept 11 - Wilmington, NC @ Greenfield Lake Amphitheater ^
Sept 12 - Charlotte, NC @ The Evening Muse
Sept 13 - Nashville, TN @ Cannery Ballroom
Sept 14 - St. Louis, MO @ Blueberry Hill
Sept 15 - Omaha, NE @ Slow Down
Sept 19 - Fort Collins, CO @ Hodi's Half Note
Sept 20 - Steamboat Springs, CO @ Schmiggity's
Sept 23 - Bozeman, MT @ The Rialto
Sept 25 - Missoula, MT @ Top Hat
Sept 26 - Spokane, WA @ The Bartlett
Sept 27 - Seattle, WA @ High Dive
Sept 28 - Portland, OR @ The Jack London Revue
Oct 2 - Sacramento, CA @ Harlow's
Oct 3 - Oakland, CA @ The New Parish
Oct 25 - Philadelphia, PA @ World Café Live
Oct 26 - Washington, DC @ Gypsy Sally's
Oct 31 - South Burlington, VT @ Higher Ground Ballroom
Nov 1 - Somerville, MA @ ONCE Ballroom
Nov 2 - Fairfield, CT @ StageOne
Nov 9 - Pittsburgh, PA @ Stage AE
Nov 14 - Chicago, IL @ Schubas Tavern
Nov 15 - Cincinnati, OH @ Taft Ballroom
* w/ Shane Smith
^ w/ JJ Grey & Mofro

MORE INFO ON THE COMMONHEART

Friday, April 6, 2018


MT. JOY COMING TO BLUEBERRY HILL DUCK ROOM

Just one month since their self-titled, debut LP release, Mt. Joy's honeyed blend of Californian classic rock and blue-eyed, Philly soul has fans swarming to shows on a national tour that only keeps growing.

The rising "folk-rock heroes" (Rolling Stone) have already proven irresistible at radio, closing in on the AAA Top 10 with "Silver Lining" and breaking through to alt stations like KROQ. But now, their 1.4 million monthly Spotify listeners are affirming real-life devotion, with the band selling out shows in LA, Brooklyn, Chicago, Philly, DC, San Francisco, Portland, and more on the horizon.

The group plays the Blueberry Hill Duck Room on Tuesday, May 8

The five-piece has over 40 current dates sure to "overflow with hooks, tenderness and singalong moments" (NPR Music). Having conquered Bonnaroo, Lollapalooza, and Newport Folk on the back of just three singles last summer, they'll bring their festival-primed sound to Shaky Knees, BottleRock, and others this season.

Watch them perform "Silver Lining" on CONAN: https://youtu.be/7XmwQJc6tII

And check out the poignant, political "Sheep" on Jam in the Van: https://youtu.be/Ipv-LpICoIk

best,
Greg

Wednesday, April 8, 2015


‘THE VOICE’ FINALIST NICHOLAS DAVID BRINGS FRESH HEART AND SOUL TO FANS WITH NEW EP, MAKE HOPE
  Playing Blueberry Hill's Duck Room April 26

St. Paul, MN--During his 2012 appearance on NBC’s hit talent show “The Voice,” season finalist Nicholas David wowed the crowd with his vocal flexibility—taking on covers of everything from Jimi Hendrix to Corrine Bailey Rae for an ultimate 3rd-place finish. However, what resonated most with the audience was his undeniable old-school and old-fashioned soul, which has been a common thread throughout his career and showcased to perfection on his latest EP, Make Hope.
 
This project, which marks the Minnesotan singer-songwriter’s seventh overall, is a smooth and deep study of emotion backed by David’s confident command of soul, R&B, and rock ‘n’ roll. Its six tracks offer a glimpse into the journey, both personally and professionally, that David has been taking over the past couple of years.
 
Make Hope was inspired by David’s connection to the Midwest.  More specifically, he wanted to attempt capturing the regional heart and family values of Midwestern people.  And, trying to carry those values to Hollywood and back,” he notes--which anyone familiar with showbiz knows is a formidable task.
 
However, David is up for the challenge of spreading a message of love and inspiration wherever he travels. “When your dreams turn to reality, the journey takes steam and gathers a new momentum.”
 
David doesn’t shirk family values of his own, as several of the compositions on Make Hope are directly inspired by and dedicated to his relatives. “’Monsters Sleep”—a song he terms an “R&B lullaby”—“and ‘Fresh’ are songs to my family saying even though I'm not physically there I'm there in their hearts with a love "as big as the sky and into outer space.’”
 
And, “The last tune, ‘Something Big,’ is a melody I wrote being with my grandfather as he was dying,” Nicholas relates. “I share his gift of music, and my hands are his hands.”
 
“It's a blessed road to walk and live out your dreams, but with that comes a great responsibility,” David says. “I feel to the core of my being that's what make hope is all about.”
 
His goal is to reach all music lovers with music that touches them at their core. 
 
“I feel that's what my fans resonate with,” he notes. “Music from the heart, for the heart.”
 
David and his band will be touring in support of Make Hope throughout 2015.
Who:                    Nicholas David
What:                  performing
Where:               Duck Room at Blueberry Hill ~ St. Louis, MO
When:                 April 26
Time:                   8pm
Tix:                       $15
Ages:                    all ages
Websites:        www.thefeelin.com

Thursday, March 10, 2011

Raul Malo coming to Blueberry Hill




RAUL MALO
Touring his Tex-o-centric new album Sinners & Saints on Fantasy Records

Tuesday, March 29  ST. LOUIS
Blueberry Hill
6504 Delmar Blvd.
Showtime: 9 p.m.; Tickets: $22.50
<http://www.blueberryhill.com/events/>

• • •

Listen to Raul Malo story on NPR’s Weekend Edition Sunday:

http://www.npr.org/templates/story/story.php?storyId=130595257


“. . . a record that impresses right from its clarion mariachi trumpet opening, through to the album’s finale, a reworking of Los Lobos’ ‘Saint Behind the Glass.’” —MOJO

 “Sinners & Saints is the most confident, self-assured, and consistent recording Malo’s done, and it showcases his own playing and songwriting at an entirely new level of skill.” —ALLMUSIC.COM

“For all its stylistic variety . . . Sinners hangs together thanks to Malo’s consistently remarkable vocals. Listening to this guy sing — listening to him sing anything — is an act of pure pleasure.” —LOS ANGELES TIMES

“. . . the album presents a coherent world view that says more about present day life than a thousand Sunday sermons, newspaper editorials, and radio talk show broadcasts combined, and it does so with beautiful melodies and compelling musicality.”  
—POPMATTERS.COM

•  •  •

RAUL MALO’S SINNERS & SAINTS ALBUM, OUT OCTOBER 5,
IS BLESSED WITH TEX-MEX RHYTHMS
AND LATIN SOUL

New album for Fantasy Records/Concord Music Group
recorded in Nashville and Austin

Guests include Augie Meyers, Shawn Sahm, Michael Guerra
and The Trishas

AUSTIN, Texas — Self-produced in his home studio, Sinners & Saints is the most intimate, honest and complex album Raul Malo has made in an already distinguished career. One hears in it a lifetime’s journey, from the singer-songwriter’s youth in Cuban neighborhoods of Miami through his years as one of the most intriguing talents in the Americana scene. The album was released October 5, 2010 release on Fantasy Records/Concord Music Group. Sinners & Saints follows 2009’s critically acclaimed album Lucky One, Malo’s Fantasy debut.

Rooted in Malo’s lifelong connection to Latin music but infused with his wide-ranging love of country, blues, jazz and vintage rock ’n’ roll, Sinners & Saints combines sonic ingenuity with emotional sincerity.

Entertainment Weekly stated, “Malo is one of those rare singers who transcend the mundane with the sheer operatic sweep of his marvelous instrument. He’s among the last of a breed: a country stylist with finesse and brawn in equal measure, turning his laments into bittersweet valentines.”

In a departure from his past albums, Malo took his tracks from his home studio in Nashville to Austin, where an incredible musical cross-pollination took place. Malo has spent much time playing in Texas with the Lone Star State’s wealth of legendary musicians. He entered longtime friend Ray Benson’s Bismeaux Studios and finished the album with the help of Sir Douglas Quintet and Texas Tornado veteran Augie Meyers on the Vox Continental organ and, on the song “Superstar,” guitarist Shawn Sahm, Sir Douglas’ son. The Trishas (Savannah Welch, Kelley Mickwee, Liz Foster and Jamie Wilson) provided background vocals. And hotshot accordionist Michael Guerra, known for his work with the Tex-Mex Experience, lent further Tejas authenticity to the sound.

The title track opens the record, setting the album’s tone thematically and musically. From his boyhood and through his years of coming of age in Miami, Malo spent many nights in neighborhood music rooms listening to local artists perform their Flamenco zarzuelas. Malo wrote “Sinners & Saints” by conjuring up those nights in his head, and playing his electric guitar with a cross between Flamenco melodicism and retro surf-twang. “It has no chorus, no repeatable line,” he says, “And it’s long. Purposefully long.”

The second track, “Living for Today,” ventures into socio-political territory against an upbeat sound that includes chiming guitars, Meyers’ Vox organ and the Trishas’ backing vocals. In a musical space that includes the biting observations of Rodney Crowell, James McMurtry or Todd Snider, this song is a welcome addition. Speaking of Crowell, Malo provides a heart-felt reading of his modern-day standard “Til I Gain Control Again.”

The disc’s other songs are also full of special moments. In Austin Malo recorded an original song called “Superstar” with several pals from the Texas Tornados. That and several other tracks feature Guerra’s blazing Tex-Mex accordion, as in “San Antonio Baby.” In a more serious vein, Malo delivers the classic Spanish song “Sombras” in the stunning tenor voice that made him famous. He also offers an innovative cover of Los Lobos’ “Saint Behind the Glass,” whose rich mix of percussion, guitars and Mexican instruments will leave audiophiles deeply absorbed. The cryptic lyrics offer an unexpected finale to the album.

Raul Malo has seen and done a great deal in his career but Sinners & Saints demonstrates there is much more inside him. “This is the hardest I’ve ever worked on an album,” he says with a mixture of relief and pride. That includes the physical labor of confronting the studio alone day after day as well as the emotional courage to challenge his listeners and speak his mind. “This really is about me and my point of view. I realized that after I’d done it. It reflects really how I feel about a lot of things. That’s why this is as much of me as I’ve ever put on a record.

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