Wednesday, July 6, 2016




Cowboy Mouth & Dirty Dozen Brass Band
Thursday, November 3rd
Doors 7pm  Show 8pm
$30 Flat  All Ages
This will be one amazing night of music! Tickets On-Sale Fri. 7/8 @ 5pm. 
 
CM: https://youtu.be/Vw7ExoaCcts
For over two decades, Cowboy Mouth has dished up their unique style of rock & roll gumbo, mixing a rowdy spirit reflective of the band's hometown -- New Orleans -- with the fierce firepower of a group that lives on the road. These Louisiana natives have played more than 2,500 concerts and launched their signature song, "Jenny Says,” into the upper half of the Billboard rock charts. Above all, they earned a well-deserved reputation as a raucous, redemptive, live music experience. Go!, the band's newest album, is proof that Cowboy Mouth hasn't lost it's bite. It's the most collaborative album of the group's career, performed with ferocity by a group of rock & roll veterans who've been there, done that... and can't wait to do it all again. With many years of reviews lauding their live show, there is still one quote which best captures their energy  “…on a bad night they'll tear the roof off the joint and on a good night, they'll save your soul.”
DDBB:  https://youtu.be/EM1bYB9AQDc
An appetite for musicological adventure, a commitment to honor tradition while not being constrained by it, and a healthy sense of humor have brought the world-traveling Dirty Dozen Brass Band to this remarkable juncture in an already storied career. To celebrate its 35th, the band is releasing Twenty Dozen, the septet’s first studio release in six years. The new album, cut at the Music Shed in New Orleans, reunites the band with producer Scott Billington, who helmed DDBB’s first major-label release, Voodoo, in 1989. It’s a resolutely upbeat effort that seamlessly blends R&B, jazz, funk, Afro-Latino grooves, some Caribbean flavor, and even a Rihanna cover. Twenty Dozen mirrors in flow and feel a vibrant DDBB live set. The disc reaches an exuberant peak with a medley of New Orleans staples, including a particularly high-spirited rendering of “When the Saints Go Marching In.” The final track – or, as Lewis puts it, “the after-party” – is an audience encore favorite, the ribald “Dirty Old Man,” with Lewis doing an outstanding job in the title role. Twenty Dozen, says Lewis, is “classic Dirty Dozen. It’s got something for your mind, body, and soul. We’re gonna get you one way or another.”

www.instagram.com/old_rock_house_stl

No comments:

Post a Comment